Since I learned about the crying dragon, I have been trying to find places at school that make sounds like it. Although not as impressive as the crying dragon of Nikko, I found several spots where clapping my hands against parallel walls produces a similar 'beep' sound.
Apart from the space of walls and ceilings, if I were to mention one condition for good audibility, it would be whether the place is quiet or not. The phenomenon of the 'crying dragon' involves reflected sounds that continue for a long time at regular intervals, but in a quiet place with little other noise, you can hear the decaying reflected sounds until they disappear.
That's right. At early morning times, you might be able to discover the locations of the crying dragons that you couldn't hear during the day.
So far, several locations have been found, but depending on the place, the rough sound of the "bean" felt different.
"You might have heard samples of continuous sounds where the sense of fluctuation increased or the roughness became prominent, depending on how many times the sound changes in one second (modulation frequency)."
I see, so the time period of reflected sound differs by location, which means the way it is perceived also varies?
That's right. Don't you think it would be nice to quantify the sense of hearing?
Is it not related to the decibels you told me about before, or something like that?
Decibels? Yes, dB represents a level expressed in relation to a standard. While the loudness of sound can be quantified with numerical values, quantifying the subjective experience of what we hear is quite difficult. However, there are methods to quantify certain sensory quantities, such as the feeling of sound fluctuations or the roughness we have experienced in the sounds we have heard.
That sounds interesting. Can you tell me more in detail?
Actually, I subjected the sound of the crying dragon to a certain analysis the other day.

Look at this diagram. I won't go into detailed explanations, but this diagram has the horizontal axis representing pitch (frequency) and the vertical axis representing modulation frequency. The colors indicate the magnitude of variation. Notably, focusing on the modulation frequency, it shows that 30 Hz has the highest sense of fluctuation. In a paper from 1965 that elucidated the phenomenon of the 'crying dragon' before it was lost, there was a description of '29 reflections per second,' and indeed, this analysis proves that.
Sound can be analyzed not only by level and frequency, but there are also methods of analysis like this.
That's right. Dad is also interested in this analysis and has tried other sounds. Interestingly, you might not know it, but it's the 'sawari' from the shamisen.
"Sawari? I don't know much about the shamisen, but what does 'sawari' mean?"
The shamisen has three strings, but the lowest string, known as the first string, produces a sound similar to a noise by being slightly in contact with the neck without passing through the part called the upper nut, which is similar to a guitar's nut. This is a characteristic of the shamisen, and this sound is essential to the instrument.